![]() If ever a rig was destined to cut through a mix it’s this: a Fender Strat, a Treble Booster and the punchy Vox AC30 combo (Image credit: Future / Olly Curtis and Phil Barker) ![]() People say that in the audience at a Rory concert, especially in the ’70s, you got so caught up with how much he put into it that you ended up sweating bucketloads as well.” Gallagher’s Gear “I remember Johnny Marr saying he was scared of him, the first time he saw Rory live, because he was so aggressive. “Rory’s passion was always seen on stage more,” says Daniel. Even if you never saw him live, the evidence is there on 1972’s Live In Europe, Irish Tour ’’s Stage Struck: all three widely viewed as some of the best live albums ever. There’s no doubt Gallagher tapped his mojo most readily on the boards. If he didn’t have somebody to look at then he couldn’t feed off the energy.” But the impression endures that this restless road warrior viewed the studio as merely an echo of the intensity of live gigs.Īs mid-’70s keyboard player Lou Martin once noted: “Rory wasn’t at his most comfortable or happiest in the studio. Certainly, there is abundant gold in Gallagher’s 11-strong studio catalogue. If the road suited Rory’s temperament – “It’s my reason for living,” he once said – it also brought out his best as a player. (Image credit: Future / Olly Curtis and Phil Barker) ![]()
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